Winterdune wrote:...I asked in another thread about alternatives to rosewood and ebony for fingerboards. I'll ask again now. What non-tropical hardwood could you use?...
For fingerboards, I think pressure dyed wood, such as maple, as Micheal.N mentions, plus synthetic materials are the way of the future. I have about thirty ebony fingerboards in stock, and won't be buying any more once they are gone. The same with rosewood: I decided at the outset, never to use Brazilian (of whatever vintage), and once my supply of Indian is finished, I won't be buying any more of that either (there probably won't be any left by then anyway).
Michael.N. wrote:...It doesn't matter how 'green' you are as an individual maker, you are going to struggle to sell anything other than Spruce/WRC, Rosewood and Ebony. The modern Classical Guitar world is very conservative in that respect...
I think this is changing - people are definitely becoming more environmentally aware. My last three commissions were English Walnut (storm of 1987), American Black Walnut (from Kew Gardens) and Lacewood (European, not sure where) - all at the clients' request; and I recently played a stunning Montero in Satinwood. I'm also looking to source some local fruit woods to use in multi-piece backs in a year or two. There's plenty of good stuff out there and, although it may take a few years, I'm sure the market in 'alternative' tonewoods is really going to take off. It would undoubtedly be speeded up though if some of the better known makers started moving in that direction (e.g. Kevin Aram, who is using yew for some instruments).
Les