mverive wrote:This is one of my favorite Sor exercises, and you play it well. You *do* seem a bit preoccupied with playing the notes rather than the music, which I find happens to me when I'm recording (audio or video), as I want to make sure I don't make mistakes. Oddly enough, when I'm playing for sheer pleasure, I'm actually *less* apt to make mistakes. I play for patients and visitors at my hospital, either alone or with a harpist, and find that when I'm in "performance mode" I play better than when I'm in "practice mode". So, when I record, I try to forget that I'm recording (or at the very least *allow* myself to make mistakes), and try to get into performance mode. This lets me focus more on the music as a whole than the notes themselves.
As for this piece, you might want to slow it down a bit, and let the notes really ring out. Enjoy each note, and how the arpeggios present themselves.
Mike
Many thanks for your comments Mike, they are all valid and appreciated. I agree with your point about recording and what happens to playing technique. I tend to find that I start out aiming to play with some freedom and ignore the camera but then the longer the piece goes on without any mistakes, the more I find that the tension sets in and the concentration increases as I want to get the 'perfect' take. I struggle to play a piece of music throughout with no errors whether I am recording or not, so to get a video without any is a rarity and unfortunately it sometimes means the performance suffers.
Steve

