Below you can view the "Kertsopoulos triple course Guitarra Battente right hand pedal guitar".The sonata in E minor by Domenico Scarlatti interpreted on high tuned stringing by Y.Kertsopoulos. The tuning is open strings= 9th fret and the strings are designed and constructed by: Y.Kertsopoulos.
In 1948 A.Segovia introduced the nylon string aesthetic of A.Augustine. The classical and flamenco guitar enjoys this aesthetic for more than sixty five years and J.Bream, J.Williams, D.Fampas, the Romero family, C.Parkening, Alirio Diaz, R.Dyens, L.Almeida, Paco de Lucia, P.Pena, C.Montoya, Sabicas, Serranito are only a few of the guitarists that played with great success this aesthetic which has worldwide acceptance today. A.M.Barrios and H.V.Lobos played with metal strings while D.Prat, A.Lauro, F.Tarrega, R.Montoya, Miguel Liobet and others played with gut strings. At the time of M.Giuliani, M.Carcassi, L.Legnani, F.Carulli, F.Sor, D.Aguado and others, the guitar was strung with metal, gut and silk strings and had either double courses or single strings (after the end of the 18th century). Also further back in history G.Sanz, Bermudo, Brescianello, R.De Visee and others played the guitar in higher pitched tunings and also the triple strung "Guitarra Battente" was popular mainly in Italy. Y.Kertsopoulos introduced in 1994 the "Kertsopoulos Aesthetics", which as a multiplex open architecture scheme of "Guitars & Strings" provides the possibility of reviving and realizing the many faces of the guitar's aesthetics, as they have been recorded in history. Among many guitarists that play the aesthetics Smaro Gregoriadou through her "reinventing guitar" term has made many successful first world presentations of different aspects of aesthetic styles in guitar interpretation, employing the "Kertsopoulos Aesthetics" platfom of "Guitars and Strings".
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