Tárrega, Francisco - Recuerdos de la Alhambra - D08

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Tárrega, Francisco - Recuerdos de la Alhambra - D08

Post by inkie » Sun Sep 03, 2006 7:45 pm

Hi all!! Some time ago I posted my first version of Recuerdos. Here is my second! Unfortunately my hand still gets tired in the second part, but anyway I hope you like it! I am now working on the piece with my teacher.
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Last edited by inkie on Fri Sep 29, 2006 4:48 pm, edited 1 time in total.


Post by tritone » Mon Sep 04, 2006 2:17 am

I like it's excellent thank you for sharing your work chao...


Post by steve4ri » Mon Sep 04, 2006 2:28 am

Very moving rendition!! Bravo!! :)


Post by inkie » Mon Sep 04, 2006 6:40 am

Thanks!! :)


Post by camytay » Mon Sep 04, 2006 7:43 am

Good stuff! Sounds like you're on the way to getting it down. That's one on my "to learn" list.

F (i Li) P

Post by F (i Li) P » Mon Sep 04, 2006 8:04 am

WOW :shock: ... beautiful !!!


Post by Alhambra » Mon Sep 04, 2006 9:01 pm

Sounds great! 8)


Post by inkie » Wed Sep 06, 2006 9:49 am

Has anyone a tip how to make the little "decorations" better?


Post by onur_pinar » Wed Sep 06, 2006 11:11 am

Very well played inkie I realy liked it Congratulations !!!


Post by DavidE » Wed Sep 06, 2006 8:31 pm

Im really impressed!
Lots of us know the song but few really play it

..Do you use your thumb nail??



Post by inkie » Wed Sep 06, 2006 8:58 pm

I don't use a thumb nail, but al my other fingers i do use nails :)


Post by DavidE » Wed Sep 06, 2006 9:10 pm

You are winning the fight to keep the trmelo louder than the bass notes


A question of time

Post by manu31 » Wed Sep 06, 2006 9:34 pm

Hi Inkie, very good felings in your interprtation, how many time you work this tarrga piece for having this result ???

Wim Hoogewerf

Post by Wim Hoogewerf » Wed Sep 06, 2006 10:55 pm

inkie wrote:Has anyone a tip how to make the little "decorations" better?
Very good tempo! The tremolo sounds smooth and not « nervous ». For the decorations: you can always try to increase the efficiency by preparing (stretching beforehand) the finger which does the hammer-on and the pull-off so it can make a very small and relaxed movement. Also the left hand finger which immediately follows the fast triplet, shouldn't come from far away. Avoid making a jump at that every moment.
Nice interpretation :applauso:

A third one :?:


Post by inkie » Thu Sep 07, 2006 5:14 pm

Thanks for the tip!! I am going to work on it!

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